The Long LineThe Long Line

Wolfgang Amadeus Mozart

Idomeneo, rè di Creta, K. 366

Opera

K. 366 Composed 1780 Stage

Idomeneo, re di Creta ossia Ilia e Idamante (Italian for Idomeneus, King of Crete, or, Ilia and Idamante; usually referred to simply as Idomeneo, K. 366) is an Italian-language opera seria by Wolfgang Amadeus Mozart. The libretto was adapted by Giambattista Varesco from a French text by Antoine Danchet, based on a 1705 play by Crébillion père, which had been set to music by André Campra as Idoménée in 1712. Mozart and Varesco were commissioned in 1780 by Karl Theodor, Elector of Bavaria for a court carnival. He probably chose the subject, though it may have been Mozart. The work premiered on 29 January 1781 at the Cuvilliés Theatre in Munich, Germany.

From Wikipedia.

Synopsis

The overture, in D major and common time, is in a modified sonata form in which the development is but a very short transition section connecting the exposition with the recapitulation. Other conventional hallmarks of the sonata form are apparent: the exposition modulates from the tonic (D major) to the dominant (A major), while the recapitulation is centred on the tonic. The overture concludes with a coda ending in D major chords. These chords, soft and tentative, turn out not to be a resolution of the overture in the tonic but chords in the dominant of G minor, which is the home key of the scene that immediately follows.

  1. Ouverture

Act I

Island of Crete, shortly after the Trojan War. Ilia, daughter of the defeated Trojan King Priam, has been taken to Crete after the war. She loves Prince Idamante, son of the Cretan King Idomeneo, but hesitates to acknowledge her love. Idamante frees the Trojan prisoners in a gesture of good will. He tells Ilia, who is rejecting his love, that it is not his fault that their fathers were enemies. Trojans and Cretans together welcome the return of peace, but Electra, daughter of the Greek King Agamemnon, is jealous of Ilia and does not approve of Idamante's clemency toward the enemy prisoners. Arbace, the king's confidant, brings news that Idomeneo has been lost at sea while returning to Crete from Troy. Electra, fearing that Ilia, a Trojan, will soon become Queen of Crete, feels the furies of the underworld rise up in her heart (aria: "Tutte nel cor vi sento, furie del crudo averno" – "I feel you all in my heart, furies of the cruel underworld").
Idomeneo is saved by Neptune (god of the sea) and is washed up on a Cretan beach. There he recalls the vow he made to Neptune: to sacrifice, if he should arrive safely on land, the first living creature he should meet. Idamante approaches him, but because the two have not seen each other for a long time, recognition is difficult. When Idomeneo finally realizes the youth that he must sacrifice for the sake of his vow is his own child, he orders Idamante never to seek him out again. Grief-stricken by his father's rejection, Idamante runs off. In an Intermezzo between Acts 1 and 2, Cretan troops disembarking from Idomeneo's ship are met by their wives, and all praise Neptune.

  1. Idomeneo, re di Creta, K. 366: Atto primo. Allegro
  2. Idomeneo, re di Creta, K. 366: Atto primo. Ciaconna
  3. Idomeneo, re di Creta, K. 366: Atto primo. Recitativo: "Ah qual gelido orror" (Idomeneo)
  4. Idomeneo, re di Creta, K. 366: Atto primo. Recitativo: "Mio signore, de' mali il più terribil" (Arbace, Idamante)
  5. Scene I. Recitativo "Quando avran fine omai" (Ilia)
  6. Scene I. No. 1 Aria "Padre, germani, addio!" (Ilia)
  7. Scene II. Recitativo "Radunate i Troiani, ite" (Ilia, Idamante)
  8. Scene II. No. 2 Aria "Non ho colpa" (Idamante)
  9. Scene II. Recitativo "Ecco il misero resto de' Troiani" (Ilia, Idamante)
  10. Scene III. No. 3 Coro "Godiam la pace" (Coro de' Troiani e Cretesi, Due Cretesi)
  11. Scene IV, Scene V. Recitativo "Prence, signor, tutta la Grecia oltraggi" (Elettra, Idomeneo, Arbace, Ilia)
  12. Scene VI. Recitativo "Estinto è Idomeneo?" (Elettra)
  13. Scene VI. No. 4 Aria "Tutte nel cor vi sento" (Elettra)
  14. Scene VII. No. 5 Coro "Pietà! Numi, pietà!" (Coro)
  15. Scene VIII, Scene IX. Pantomima e Recitativo "Ecco salvi alfin" (Idomeneo)
  16. Scene IX. No. 6 Aria "Vedrommi intorno" (Idomeneo)
  17. Scene IX, Scene X. Recitativo "Cieli! che veggo!" (Idomeneo, Idamante)
  18. Scene X. No. 7 Aria “Il padre adorato” (Idamante)
  19. Scene XI. Intermezzo, No. 8 Marcia
  20. Scene XI. No. 8a "Ballo delle donne Cretesi"
  21. Scene XI. No. 9 Coro "Nettuno s'onori!" (Coro)

Act II

At the king's palace, Idomeneo seeks counsel from Arbace, who says another victim could be sacrificed if Idamante were sent into exile. Idomeneo orders his son to escort Electra to her home, Argos. Idomeneo's kind words to Ilia move her to declare that since she has lost everything, he will be her father and Crete her country. As she leaves, Idomeneo realizes that sending Idamante into exile has cost Ilia her happiness as well as his own. Electra welcomes the idea of going to Argos with Idamante.
At the port of Sidon (a fictional city of Crete), Idomeneo bids his son farewell and urges him to learn the art of ruling while he is away. Before the ship can sail, however, a storm breaks out, and a sea serpent appears. Recognizing it as a messenger from Neptune, the king offers himself as atonement for having violated his vow to the god.

  1. Idomeneo, re di Creta, K. 366: Atto secondo. Intermezzo
  2. Idomeneo, re di Creta, K. 366: Atto secondo. Recitativo: "Parto, e l'unico oggetto" (Elettra)
  3. Idomeneo, re di Creta, K. 366: Atto secondo: Recitativo: "Sire, quanto la tua clemenza" (Elettra, Idomeneo)
  4. Scene IV: Recitativo Frettolosa E Giuliva Recitativo Sire,Da Arabace Intesi
  5. Scene I. Recitativo "Tutto m'è noto" (Arbace, Idomeneo)
  6. Scene I. No. 10a Aria. Allegro "Se il tuo duol, se il mio desio" (Arbace)
  7. Scene II. Recitativo "Se mai pomposo apparse" (Ilia, Idomeneo)
  8. Scene II. No. 11 Aria "Se il padre perdei" (Ilia)
  9. Scene III. Recitativo "Qual mi conturba i sensi" (Idomeneo)
  10. Scene III. No. 12 Aria "Fuor del mar" (Idomeneo)
  11. Scene IV. Recitativo "Chi mai del mio provò" (Elettra)
  12. Scene V. No. 13 Aria "Idol mio, se ritroso" (Elettra)
  13. Scene V. No. 14 Marcia e Recitavio "Odo da lunge" (Elettra)
  14. Scene V. Recitativo "Sidonie sponde!" (Elettra)
  15. Scene VI. No. 15 Coro "Placido è il mar" (Elettra)
  16. Scene VII. Recitativo "Vattene, prence" (Idomeneo, Idamante)
  17. Scene VII. No. 16 Terzetto "Pria di partir, oh Dio!" (Idamante, Elettra, Idomeneo)
  18. Scene VII. No. 17 Coro “Qual nuovo terrore!” (Coro)
  19. Scene VII. Recitativo "Eccoti in me, barbaro Nume!" (Idomeneo)
  20. Scene VII. No. 18 Coro "Corriamo, fuggiamo" (Coro)

Act III

In the royal garden, Ilia asks the breezes to carry her love to Idamante, who appears, explaining that he must go to fight the serpent. When he says he would rather die than suffer the torments of his rejected love, Ilia confesses her love. They are surprised by Electra and Idomeneo. When Idamante asks his father why he sends him away, Idomeneo can only reply that the youth must leave. Ilia asks for consolation from Electra, who is preoccupied with revenge. Arbace comes with news that the people, led by the High Priest of Neptune, are clamoring for Idomeneo. The High Priest tells the king of the destruction caused by Neptune's monster, urging Idomeneo to reveal the name of the person whose sacrifice is demanded by the god. When the king confesses that his own son is the victim, the populace is horrified.
Outside the temple, the king and High Priest join Neptune's priests in prayer that the god may be appeased. Arbace brings news that Idamante has killed the monster. As Idomeneo fears new reprisals from Neptune, Idamante enters in sacrificial robes, saying he understands his father's torment and is ready to die. After an agonizing farewell, Idomeneo is about to sacrifice his son when Ilia intervenes, offering her own life instead. The Voice of Neptune is heard. Idomeneo must yield the throne to Ilia and Idamante. Everyone is relieved except Electra, who longs for her own death. Idomeneo presents Idamante and his bride as the new rulers. The people call upon the god of love and marriage to bless the royal pair and bring peace.

  1. Appendix Idomeneo, rè di Creta, K. 366: Act III, Scene X: No. 28b Ha Vinto Amore
  2. Idomeneo, K. 366: Atto Terzo: N. 28a: “Idomeneo cessi eser re” (La Voce)
  3. Idomeneo, re di Creta, K. 366: Atto terzo, N. 17. Duetto: "Spiegarti non poss'io" (Ilia, Idamante)
  4. Idomeneo, re di Creta, K. 366: Atto terzo. "Odo? o sol quel che brama" (Idamante, Ilia)
  5. Idomeneo, re di Creta, K. 366: Atto terzo. Recitativo: "Ahimè! Tutto perdei!" (Elettra)
  6. Idomeneo, re di Creta, K. 366: Atto terzo. Recitativo: "Non più! Sacro ministro" (Idomeneo)
  7. Scene X: No.28c Recitativo Ha Vinto Amore...
  8. Scene XI: Larghetto
  9. Scene XI: Le Chaconne, Qui Reprend
  10. Scene XI: No.32 Ballet. Chaconne
  11. Scene XI: Pas Seul
  12. Scene I. Recitativo "Solitudini amiche" (Ilia)
  13. Scene I. No. 19 Aria "Zeffiretti lusinghieri" (Ilia)
  14. Scene II. Recitativo "Ei stesso vien... oh Dei!" (Ilia)
  15. Scene II. Recitativo "Principessa, a' tuoi sguardi" (Idamante, Ilia)
  16. Scene II. No. 20a Duetto "S'io non moro a questi accenti" (Idamante, Ilia)
  17. Scene III. Recitativo "Cieli! che vedo?" (Idomeneo, Ilia, Idamante, Elettra)
  18. Scene III. No. 21 Quartetto "Andrò ramingo e solo" (Idamante, Ilia, Idomeneo, Elettra)
  19. Scene IV. Recitativo "Sire, alla reggia tua immensa turba" (Arbace, Ilia, Idomeneo, Elettra)
  20. Scene V. Recitativo "Sventurata Sidon!" (Arbace)
  21. Scene V. No. 22 Aria "Se colà ne' fati è scritto" (Arbace)
  22. Scene VI. No. 23 Recitativo "Volgi intorno lo sguardo" (Gran Sacerdote, Idomeneo)
  23. Scene VI. No. 24 Coro "O voto tremendo" (Coro, Gran Sacerdote)
  24. Scene VII. No. 25 Marcia
  25. Scene VII. No. 26 Cavatina con coro "Accogli, oh rè del mar" (Idomeneo, Sacerdote)
  26. Scene VII. Coro "Stupenda vittoria!" (Coro)
  27. Scene VII-VIII. Recitativo "Qual risuona qui intorno" (Idomeneo, Arbace)
  28. Scene IX. No. 27 Recitativo "Padre, mio caro padre!" (Idamante, Idomeneo)
  29. Scene IX. Allegro risoluto - Andante - Allegro - Largo - Presto "Deh vibra un colpo" (Idamante, Idomeneo)
  30. Scene IX. No. 27a Aria “No, la morte io non pavento” (Idamante)
  31. Scene X. "Ferma, oh sire, che fai?" (Ilia, Idomeneo, Idamante)
  32. Scene X. No. 28d La Voce "Ha vinto Amore" (La Voce)
  33. Scene X. No. 29 Recitativo "O ciel pietoso!" (Idomeneo, Idamante, Ilia, Arbace, Elettra)
  34. Scene X. No. 29a Aria "D'Oreste, d'Aiace" (Elettra)
  35. Scene XI. No. 30 Recitativo "Popoli, a voi l'ultima legge" (Idomeneo)
  36. Scene XI. No. 30a Aria "Torna la pace al core" (Idomeneo)
  37. Scene XI. No. 31 Coro "Scenda Amor, scenda Imeneo" (Coro)

Synopsis from Wikipedia, CC BY-SA 4.0.

Elsewhere

← All of the composer’s works