Tomás Luis de Victoria
Spanish composer
Tomás Luis de Victoria (sometimes Italianised as da Vittoria; c. 1548 – c. 20–27 August 1611) was the most famous Spanish composer of the Renaissance. He stands with Giovanni Pierluigi da Palestrina and Orlande de Lassus as among the principal composers of the late Renaissance, and was "admired above all for the intensity of some of his motets and of his Offices for the Dead and for Holy Week". His surviving oeuvre, unlike that of his colleagues, is almost exclusively sacred and polyphonic vocal music, set to Latin texts. As a Catholic priest, as well as an accomplished organist and singer, his career spanned both Spain and Italy. However, he preferred the life of a composer to that of a performer.
Read more about this composer on Wikipedia.
- Officium Hebdomadæ Sanctæ 1585
- Alma Redemptoris a 5
- Ecce Dominus veniet
- Jesu dulcis memoria
- Lamentations for Good Friday
- Lamentations for Holy Saturday
- Lamentations for Maundy Thursday
- Magnificat a 8
- Missa "Dum complerentur"
- Missa "Simile est regnum coelorum"
- Missa 'O magnum mysterium'
- Missa Ascendens Christus in altum
- Missa Ave Maris Stella
- Missa De Beata Maria Virgine
- Missa Gaudeamus
- Missa O Quam Gloriosum
- Missa Quarti Toni
- Missa Salve Regina
- Missa Surge propera
- Officium Defunctorum
- Pueri Hebraeorum
- Regina caeli, laetare à 8
- Requiem Officium Defunctorem
- Salve Regina à 8
Box sets & recent recordings
- Victoria: Sacred Works — Tomás Luis de Victoria, Ensemble Plus Ultra, Michael Noone (2011) box set · 141 tracks Spotify
- Tomás Luis de Victoria: Officium Hebdomadae Sanctae — Schola Antiqua, La Colombina (2005) box set · 57 tracks Spotify
- Victoria: Requiem (Officium defunctorum). Lobo: Versa est in luctum. — Tomás Luis de Victoria, Peter Phillips, The Tallis Scholars (1987) box set · 32 tracks Spotify
Box sets & recent releases via Spotify — surfaced automatically, not editorial picks.

