Turangalîla-symphonie, for piano, ondes martenot and orchestra, I/29
The Turangalîla-symphonie is the only symphony by the French composer Olivier Messiaen (1908–1992). It was written for an orchestra of large forces from 1946 to 1948 on a commission by Serge Koussevitzky for the Boston Symphony Orchestra, with two soloists playing piano and ondes Martenot. Along with the Quatuor pour la fin du temps, the symphony is one of the composer's most notable works.
Leonard Bernstein conducted the premiere in Symphony Hall in Boston on 2 December 1949, followed by the New York City première at Carnegie Hall on 10 December (Messiaen's 41st birthday). The latter two performances included an intermission after the fifth movement and were the only work on the programme. The commission did not specify the duration, orchestral requirements or style of the piece, leaving the decisions to the composer. Koussevitzky was scheduled to conduct the première, but fell ill, and the task fell to Bernstein, who never again conducted the work. Yvonne Loriod, who later became Messiaen's second wife, was the piano soloist, and Ginette Martenot played the ondes Martenot for these first performances.
Movements
- Introduction
- Chant d’amour
- Turangalîla 1
- Chant d’amour 2
- Joie du sang des étoiles
- Jardin du sommeil d’amour
- Turangalîla 2
- Développement d’amour
- Turangalîla 3
- Final
Recommended recordings
- Orchestre de l'Opéra Bastille · Myung-Whun Chung YouTubeSpotify (subscription)
- City of Birmingham Symphony Orchestra · Simon Rattle YouTubeSpotify (subscription)

