Cantata no. 194: Höchsterwünschtes Freudenfest, BWV.194
Höchsterwünschtes Freudenfest (Most highly desired festival of joy), BWV 194, is a church cantata by Johann Sebastian Bach. He composed it in Leipzig for dedication of the church and organ at Störmthal on 2 November 1723.
The cantata text was written by an anonymous poet, including two stanzas of Johann Heermann's hymn "Treuer Gott, ich muß dir klagen" (1630) and two stanzas of Paul Gerhardt's "Wach auf, mein Herz, und singe" (1647). Bach used an earlier secular cantata as a base for a structure in two parts of six movements each, beginning with an extended choral movement and concluding both parts with chorale stanzas. The inner movements are alternating recitatives and arias. The chorales are the only movements which were certainly newly composed for the occasion. Bach scored the work for three vocal soloists, a four-part choir and a Baroque instrumental ensemble of three oboes, bassoon, strings and continuo. After the first performance in Störmthal, Bach performed the cantata again in Leipzig for Trinity Sunday, first on 4 June 1724, a shortened version in 1726, and the complete version in 1731.
Movements
- Coro "Höchsterwünschtes Freudenfest"
- Recitativo (Bass) "Unendlich großer Gott"
- Aria (Bass) "Was des Höchsten Glanz erfüllt"
- Recitativo (Sopran) "Wie könnte dir, du höchstes Angesicht"
- Aria (Sopran) "Hilf, Gott, daß es uns gelingt"
- Choral "Heilger Geist ins Himmels Throne"
- Recitativo (Tenor) "Ihr Heiligen, erfreuet euch"
- Aria (Tenor) "Des Höchsten Gegenwart allein"
- Recitativo (Duetto Sopran, Bass) "Kann wohl ein Mensch"
- Aria (Duetto Sopran, Bass) "O wie wohl ist uns geschehn"
- Recitativo (Bass) "Wohlan demnach"
- Choral "Sprich Ja zu meinen Taten"

