The Long Line
Jean-Baptiste Lully
Italian-born French composer
Jean-Baptiste Lully (born Giovanni Battista Lulli; 28 or 29 November [O.S. 18 or 19 November] 1632 – 22 March 1687) was an Italian-French composer, dancer and instrumentalist, who is considered a master of the French Baroque music style. Best known for his operas, he spent most of his life working in the court of Louis XIV and became a French subject in 1661. He was a close friend of the playwright Molière, with whom he collaborated on numerous comédie-ballets, including L'Amour médecin, George Dandin ou le Mari confondu, Monsieur de Pourceaugnac, Psyché and his best known work, Le Bourgeois gentilhomme.
Read more about this composer on Wikipedia.
- L' Amour médecin, LWV29 1665 Stage
- Monsieur de Pourceaugnac, LWV41 1669 Stage
- Le bourgeois gentilhomme, LWV43 1670 Stage
- Psyché, LWV45 1671 Stage
- Psyché, LWV56: Opera 1671 Stage
- Acis et Galatée, LWV73 1686 Stage
- Armide, LWV71 1686 Stage
- Alceste, ou le triomphe d’Alcide, LWV50 Stage
- Alcidiane, LWV9: Ballet Stage
- Allemande, for keyboard Keyboard
- Amadis, LWV63 Stage
- Amour malade, LWV8: Ballet Stage
- Atys, LW53 Stage
- Bellérophon, LWV57 Stage
- Benedictus, for double chorus and orchestra, LWV64/2 Vocal
- Cadmus et Hermione, LWV49: Opera Stage
- Concert donne au souper du roy, for keyboard Keyboard
- Courante, for keyboard Keyboard
- De profundis, for double chorus and orchestra, LWV62 Vocal
- Dies irae, for double chorus and orchestra, LWV64/1 Vocal
- Divertissement Stage
- Exaudiat Te Dominus Vocal
- Flore, LWV40: Ballet Stage
- Gavotte en rondeau Chamber
- Gavotte, for violin and piano Chamber
- Gigue, for keyboard Keyboard
- Isis, LWV54: Opera Stage
- La raillerie, LWV11: Ballet Stage
- Laudate pueri Dominum, for 3 voices and continuo, LWV77/7 Vocal
- Le Grand Divertissement Royal de Versailles, LWV38 Stage
- Le Sicilen, ou L'Amour peintre, LWV34 Stage
- Le carnival, mascarade royale, LWV36: Ballet Stage
- Le mariage forcé, LWV20 Stage
- Le triomphe de l’amour, LWV59: Ballet Stage
- Les amours déguisés, LWV21: Ballet Stage
- Les noces de village, LWV19: Ballet Stage
- Les plaisirs, LWV2: Ballet Stage
- Les temps, LWV1: Ballet Stage
- Marche Militaire, for brass ensemble Chamber
- Miserere, for double chorus and orchestra, LWV25 Vocal
- Natus in Judæa Deus, for double chorus and orchestra, LWV77/17 Vocal
- O dulcissime Domine, for 3 voices and continuo, LWV77/9 Vocal
- O lachrymae, for double chorus and orchestra, LWV26 Vocal
- Passacaglia, for cello and keyboard Chamber
- Persée, LWV60: Opera Stage
- Phaëton, LWV61: Opera Stage
- Pièces de symphonie, Noce de village, Airs pour Mme la dauphine, LWV70 Chamber
- Plaude lætare, for double chorus and orchestra, LWV37 Vocal
- Proserpine, LWV58: Opera Stage
- Quare fremuerunt, for double chorus and orchestra, LWV67 Vocal
- Roland, LWV65: Opera Stage
- Scoca pur tutti, for voice, violin and continuo, LWV 76/3 Vocal
- Te Deum, for double chorus and orchestra, LWV55 Vocal
- Thésée, LWV51 Stage
- Tout ce que j'attaque se rend Vocal
- Trios pour le coucher du Roi, for 2 violins and continuo, LWV35 Chamber
- Venerabilis barba capucinorum, LWV76/xxvi Vocal
- Xerxès, LWV12 Stage