Heinrich Biber

Bohemian-Austrian composer and violinist

Heinrich Ignaz Franz von Biber (correctly Biber von Bibern; bapt. 12 August 1644 – 3 May 1704) was a Czech-Austrian composer and violinist of the middle Baroque era. Biber worked in Graz and Kroměříž before he illegally left his employer, Prince-Bishop Karl Liechtenstein-Kastelkorn, and settled in Salzburg. He remained there for the rest of his life, publishing much of his music but apparently seldom, if ever, giving concert tours.

Biber was among the major composers for the violin in the history of the instrument. His own technique allowed him to easily reach the 6th and 7th positions, employ multiple stops in intricate polyphonic passages, and explore the various possibilities of scordatura tuning. Among other pieces, Biber wrote operas, sacred music and music for chamber ensemble. He also wrote one of the earliest known pieces for solo violin, the monumental passacaglia of the Mystery Sonatas.

During Biber's lifetime, his music was known and imitated throughout Europe. In the late 18th century he was named the best violin composer of the 17th century by music historian Charles Burney. In the late 20th century Biber's music, especially the Mystery Sonatas, enjoyed a renaissance. Today, it is widely performed and recorded.

Read more about this composer on Wikipedia.

  • 16 Rosenkranz-Sonaten, C. 90-105, "Mystery of the Rosary Sonatas" Chamber
  • Arminio
  • Arminio: Act 1 Scene 1
  • Arminio: Act 1 Scene 10
  • Arminio: Act 1 Scene 2
  • Arminio: Act 1 Scene 3
  • Arminio: Act 1 Scene 4
  • Arminio: Act 1 Scene 5
  • Arminio: Act 1 Scene 6
  • Arminio: Act 1 Scene 7
  • Arminio: Act 1 Scene 8
  • Arminio: Act 1 Scene 9
  • Arminio: Act 2 Scene 1
  • Arminio: Act 2 Scene 10
  • Arminio: Act 2 Scene 11
  • Arminio: Act 2 Scene 12
  • Arminio: Act 2 Scene 13
  • Arminio: Act 2 Scene 14
  • Arminio: Act 2 Scene 15
  • Arminio: Act 2 Scene 16
  • Arminio: Act 2 Scene 2
  • Arminio: Act 2 Scene 3
  • Arminio: Act 2 Scene 4
  • Arminio: Act 2 Scene 5
  • Arminio: Act 2 Scene 6
  • Arminio: Act 2 Scene 7
  • Arminio: Act 2 Scene 8
  • Arminio: Act 2 Scene 9
  • Arminio: Act 3 Scene 1
  • Arminio: Act 3 Scene 10
  • Arminio: Act 3 Scene 11
  • Arminio: Act 3 Scene 12
  • Arminio: Act 3 Scene 13
  • Arminio: Act 3 Scene 14
  • Arminio: Act 3 Scene 15
  • Arminio: Act 3 Scene 16
  • Arminio: Act 3 Scene 2
  • Arminio: Act 3 Scene 3
  • Arminio: Act 3 Scene 4
  • Arminio: Act 3 Scene 5
  • Arminio: Act 3 Scene 6
  • Arminio: Act 3 Scene 7
  • Arminio: Act 3 Scene 8
  • Arminio: Act 3 Scene 9
  • Ballettae à 4, suite for violin, 2 violas & continuo in D major, C. 55
  • Balletti à 4, suite for violin, 2 violas & continuo in G major, C. 56
  • Balletti à 6, C 57
  • Balletti à 6, C 57: I. Sonata
  • Balletti à 6, C 57: II. Allamanda
  • Balletti à 6, C 57: III. Amener
  • Balletti à 6, C 57: IV. Aria
  • Balletti à 6, C 57: IX. Amoresca
  • Balletti à 6, C 57: V. Balletto
  • Balletti à 6, C 57: VI. Trezza
  • Balletti à 6, C 57: VII. Gavotte
  • Balletti à 6, C 57: VIII.Canario
  • Balletti à 6, C 57: X. Sarabanda
  • Balletti à 6, C 57: XI. Gagliarda
  • Balletti à 6, C 57: XII. Ciacona
  • Battalia in D major, C.61: For 3 violins, 4 violas, 2 violins and keyboard Chamber
  • Battalia à 10
  • Battalia à 10: I. Sonata
  • Battalia à 10: II. Die liederliche Gesellschaft von allery Humor: Allegro
  • Battalia à 10: III. Presto
  • Battalia à 10: IV. Der Mars
  • Battalia à 10: V. Presto
  • Battalia à 10: VI. Aria
  • Battalia à 10: VII. Die Schlacht
  • Battalia à 10: VIII. Lamento der Verwundten Musquetirer: Adagio
  • Duet No. 1 for 2 Trumpets
  • Duets for 2 Trumpets: Duets for 2 Trumpets: Duet No. 11 in G Minor for Two Trumpets
  • Duets for 2 Trumpets: Duets for 2 Trumpets: Duet No. 13 in A Minor for Two Trumpets
  • Duets for 2 Trumpets: Duets for 2 Trumpets: Duet No. 5 in C Major for Two Trumpets
  • Fanfare for Two Trumpets no. 1, C 126
  • Fanfare for Two Trumpets no. 10, C 135
  • Fanfare for Two Trumpets no. 11, C 136
  • Fanfare for Two Trumpets no. 12, C 137
  • Fanfare for Two Trumpets no. 2, C 127
  • Fanfare for Two Trumpets no. 3, C 128
  • Fanfare for Two Trumpets no. 4, C 129
  • Fanfare for Two Trumpets no. 5, C 130
  • Fanfare for Two Trumpets no. 6, C 131
  • Fanfare for Two Trumpets no. 7, C 132
  • Fanfare for Two Trumpets no. 8, C 133
  • Fanfare for Two Trumpets no. 9, C 134
  • Fidicinium Sacro-Profanum, 12 sonatas for violin, 2 violas, and continuo, C.78-89 Chamber
  • Fidicinium sacro-profanum: Sonata I in b minor
  • Fidicinium sacro-profanum: Sonata II in F major
  • Fidicinium sacro-profanum: Sonata III in d minor
  • Fidicinium sacro-profanum: Sonata IV in g minor
  • Fidicinium sacro-profanum: Sonata IX in G major
  • Fidicinium sacro-profanum: Sonata V in C major
  • Fidicinium sacro-profanum: Sonata VI in a minor
  • Fidicinium sacro-profanum: Sonata VII in D major
  • Fidicinium sacro-profanum: Sonata VIII in B flat major, C 85
  • Fidicinium sacro-profanum: Sonata VIII in B-flat major, C 85: I. Allegro non troppo
  • Fidicinium sacro-profanum: Sonata VIII in B-flat major, C 85: II. Poco allegro
  • Fidicinium sacro-profanum: Sonata VIII in B-flat major, C 85: III. Adagio
  • Fidicinium sacro-profanum: Sonata X in E major
  • Fidicinium sacro-profanum: Sonata XI in c minor
  • Fidicinium sacro-profanum: Sonata XII in A major
  • Harmonia artificioso-ariosa
  • Harmonia artificioso-ariosa, Partia I in D minor, C 62: Allemande
  • Harmonia artificioso-ariosa, Partia I in D minor, C 62: Aria
  • Harmonia artificioso-ariosa, Partia I in D minor, C 62: Sarabande con variationes
  • Harmonia artificioso-ariosa, Partia II in B minor, C 63: Aria
  • Harmonia artificioso-ariosa, Partia II in B minor, C 63: Gigue
  • Harmonia artificioso-ariosa, Partia II in B minor, C 63: Praeludium
  • Harmonia artificioso-ariosa, Partia III in A, C 64
  • Harmonia artificioso-ariosa, Partia III in A, C 64: Gigue
  • Harmonia artificioso-ariosa, Partia III in A, C 64: Praeludium
  • Harmonia artificioso-ariosa, Partia IV in E♭, C 65: Canario
  • Harmonia artificioso-ariosa, Partia IV in E♭, C 65: Pollicinello
  • Harmonia artificioso-ariosa, Partia IV in E♭, C 65: Sonata
  • Harmonia artificioso-ariosa, Partia IV in E♭, C 65: Trezza
  • Harmonia artificioso-ariosa, Partia V in G minor, C 66: Gigue
  • Harmonia artificioso-ariosa, Partia V in G minor, C 66: Passacaglia
  • Harmonia artificioso-ariosa, Partia VI in D, C 67: Aria con Variationes
  • Harmonia artificioso-ariosa, Partia VII in C minor, C 68: Allamande
  • Harmonia artificioso-ariosa, Partia VII in C minor, C 68: Arietta variata
  • Harmonia artificioso-ariosa, Partia VII in C minor, C 68: Trezza
  • L'Aria
  • Litaniae de Sancto Josepho
  • Missa Alleluja in C
  • Missa Alleluja: Gloria
  • Missa Alleluja: Kyrie
  • Missa Alleluja: Sanctus - Osanna - Benedictus - Osanna
  • Missa Bruxellensis, C. App. 100
  • Missa Bruxellensis: V. Agnus Dei
  • Missa Christi resurgentis
  • Missa Christi resurgentis: Agnus Dei
  • Missa Christi resurgentis: Gloria
  • Missa Christi resurgentis: Kyrie
  • Missa Christi resurgentis: Sanctus
  • Missa Salisburgensis, C. App. 101: Agnus Dei
  • Missa Salisburgensis, C. App. 101: Kyrie
  • Missa Salisburgensis, C. App. 101: Sanctus / Benedictus
  • Missa Sancti Henrici
  • Missa ex B à 6, C 4
  • Missa ex B à 6, C 4: Agnus Dei
  • Missa ex B à 6, C 4: Credo
  • Missa sancti Henrici: Agnus dei
  • Missa sancti Henrici: Credo
  • Missa sancti Henrici: Gloria
  • Ne cedite mentes
  • Nisi Dominus for Violin, Bass Voice and Continuo
  • Prelude for Unaccompanied Violin
  • Requiem a 15 in Concerto: I. Marcia Funebre
  • Requiem a 15 in Concerto: II. Introitus
  • Requiem a 15 in Concerto: IV. Sequentia
  • Requiem a 15 in Concerto: V. Offertorium
  • Sonata violino solo representativa (Representatio Avium), for violin & continuo in A major, C. 146
  • Sonates du Rosaire, for violin: Crucifixion Chamber