George Antheil
American avant-garde composer, pianist, author and inventor
George Johann Carl Antheil ( AN-tyle; July 8, 1900 – February 12, 1959) was an American avant-garde composer, pianist, author, and inventor whose modernist musical compositions explored the sounds – musical, industrial, and mechanical – of the early 20th century. Spending much of the 1920s in Europe, Antheil returned to the United States in the 1930s, and thereafter composed music for films, and eventually, television. As a result of this work, his style became more tonal. A man of diverse interests and talents, Antheil was constantly reinventing himself. He wrote magazine articles, an autobiography, a mystery novel, and newspaper and music columns.
Read more about this composer on Wikipedia.
- Ballet mécanique: For 4 pianos, 2 electric bells, 2 airplane propellers and percussion 1924 Stage
- A Jazz Symphony: For piano and orchestra 1925 Orchestral
- 2 Toccatas, W. 72
- A Jazz Symphony, W. 157b
- Archipelago
- Ballet mécanique, W. 156c
- Can-Can
- Capital of the World Suite, W. 198
- Capital of the World Suite, W. 198: I. The Tailor Shop
- Capital of the World Suite, W. 198: II. Meditation
- Capital of the World Suite, W. 198: III. Knife Dance & Farruca
- Capital of the World, W. 249
- Capital of the World, W. 249: The Prostitute
- Concert for Chamber Orchestra, W. 170
- Concerto for Piano and Orchestra no. 1
- Dementia
- Dreams
- Dreams: No. 1. Introduction
- Dreams: No. 2. Andante – Allegro molto
- Dreams: No. 3. Polka
- Dreams: No. 4. Rat
- Dreams: No. 5. Acrobate
- Dreams: No. 6. King’s March
- Dreams: No. 7. Can-Can
- Dreams: No. 8. Valse lent
- Dreams: No. 9. Finale. Presto
- Eight Fragments from Shelley, W. 102
- Eight Fragments from Shelley, W. 102: I. When Soft Winds
- Eight Fragments from Shelley, W. 102: II. To the Moon
- Eight Fragments from Shelley, W. 102: III. When the Lamp Is Shattered
- Eight Fragments from Shelley, W. 102: IV. I Stood Upon a Heaven Cleaving Turret
- Eight Fragments from Shelley, W. 102: V. A Dirge
- Eight Fragments from Shelley, W. 102: VI. To-Morrow
- Eight Fragments from Shelley, W. 102: VII. Sonnet to Byron
- Eight Fragments from Shelley, W. 102: VIII. I Faint, I Perish With My Love
- Fighting the Waves, W. 212
- Hot-Time Dance
- In a Lonely Place
- La Femme 100 têtes, W. 60
- La Femme 100 têtes, W. 60: I. Thoughtfully. Not too slow
- La Femme 100 têtes, W. 60: II. Thoughtfully. Not too slow
- La Femme 100 têtes, W. 60: III. Faintly Energetic
- La Femme 100 têtes, W. 60: IV. Floating
- La Femme 100 têtes, W. 60: IX. Sad
- La Femme 100 têtes, W. 60: Percussion Dance
- La Femme 100 têtes, W. 60: V. Furioso
- La Femme 100 têtes, W. 60: VI. Floating
- La Femme 100 têtes, W. 60: VII. Sad
- La Femme 100 têtes, W. 60: VIII. Electrical. Spiccato
- La Femme 100 têtes, W. 60: X. Slightly brutal tempo
- La Femme 100 têtes, W. 60: XI. Bawdy ferocious tempo
- La Femme 100 têtes, W. 60: XII. Brilliant Clean. Fast
- La Femme 100 têtes, W. 60: XIII. Nostalgic. Twisted slowly
- La Femme 100 têtes, W. 60: XIV. Brilliant. Fast, tricky
- La Femme 100 têtes, W. 60: XIX. Fast. An even piano throughout
- La Femme 100 têtes, W. 60: XL. Nostalgic
- La Femme 100 têtes, W. 60: XLI. Brilliant
- La Femme 100 têtes, W. 60: XLIII. Brilliant. Not too fast
- La Femme 100 têtes, W. 60: XLIV. A Machine
- La Femme 100 têtes, W. 60: XLV. Cruel. Quick
- La Femme 100 têtes, W. 60: XV. Slowly
- La Femme 100 têtes, W. 60: XVI. Lights Flashing
- La Femme 100 têtes, W. 60: XVII. Brilliant
- La Femme 100 têtes, W. 60: XVIII. Banged. An even forte throughout
- La Femme 100 têtes, W. 60: XX. Faster
- La Femme 100 têtes, W. 60: XXI. Slower
- La Femme 100 têtes, W. 60: XXII. Faster. An even fortissimo throughout
- La Femme 100 têtes, W. 60: XXIII. Well articulated
- La Femme 100 têtes, W. 60: XXIV. Slowly
- La Femme 100 têtes, W. 60: XXIX. Nostalgic. Slowly
- La Femme 100 têtes, W. 60: XXV. Minuet?
- La Femme 100 têtes, W. 60: XXVI. Onward Christian Soldiers
- La Femme 100 têtes, W. 60: XXVII. Dreaming Thoughtfully
- La Femme 100 têtes, W. 60: XXVIII. Knocked and Brillliant
- La Femme 100 têtes, W. 60: XXX. Brilliant
- La Femme 100 têtes, W. 60: XXXI. Not too slow fairly good tempo
- La Femme 100 têtes, W. 60: XXXII. Sad
- La Femme 100 têtes, W. 60: XXXIII. Mystic Temple
- La Femme 100 têtes, W. 60: XXXIV. Brilliant
- La Femme 100 têtes, W. 60: XXXIX. Brilliant and Naked
- La Femme 100 têtes, W. 60: XXXV. Furioso
- La Femme 100 têtes, W. 60: XXXVI. Glittering. Fast
- La Femme 100 têtes, W. 60: XXXVII. Subtle. Tender
- La Femme 100 têtes, W. 60: XXXVIII. Broad
- Liberation of France
- Lithuanian Night, W. 125
- Lithuanian Night, W. 125: I. Moderato
- Lithuanian Night, W. 125: II. Presto
- Little Shimmy, W. 45
- McKonkey's Ferry (Washington at Trenton); A Concert Overture, W. 188
- Mechanisms, W. 50
- Mechanisms, W. 50: 1.
- Mechanisms, W. 50: 2.
- Mechanisms, W. 50: 3.
- Nocturne in Skyrockets
- Over the Plains
- Piano Concerto no. 2
- Piano Concerto no. 2: I. Moderato
- Piano Concerto no. 2: II. Largo
- Piano Sonata no. 2, W. 40 "Airplane": I. To be played as fast as possible
- Piano Sonata no. 2, W. 40 "Airplane": II. Andante moderato
- Piano Sonata no. 3, W. 42 "Death of the Machines"
- Piano Sonata no. 3, W. 42 "Death of the Machines": I. Moderato
- Piano Sonata no. 3, W. 42 "Death of the Machines": II. Accelerando
- Piano Sonata no. 3, W. 70: I. Allegro
- Piano Sonata no. 4, W. 71
- Piano Sonata no. 4, W. 71: I. Allegro giocoso
- Piano Sonata no. 4, W. 71: II. Andante
- Printemps I, W. 132.5a
- Printemps II, W. 132.5b
- Quartet No. 2 for Strings (Original Version, 1927), "For Sylvia Beach, with Love"
- Quartet No. 2 for Strings (Original Version, 1927), "For Sylvia Beach, with Love": II. Lento
- Quartet No. 2 for Strings (Original Version, 1927), "For Sylvia Beach, with Love": IV. Presto - Cadenza finale
- Quartet No. 3 for Strings
- Quartet No. 3 for Strings: III. Scherzo - Quasi presto
- Quartet No. 3 for Strings: IV. Allegro giocoso
- Serenade for String Orchestra no. 1, W. 189: III. Vivo
- Serenade no. 2 for Orchestra: I. Moderately Fast – Poco più mosso
- Serenade no. 2 for Orchestra: II. Adagio
- Six Little Pieces for String Quartet, "For Mary Louise Bok": 1. Moderato expressivo
- Six Little Pieces for String Quartet, "For Mary Louise Bok": 2. Allegro
- Six Little Pieces for String Quartet, "For Mary Louise Bok": 3. Andante (Six Little Pieces for String Quartet (1931))
- Six Little Pieces for String Quartet, "For Mary Louise Bok": 5. Vivo (Six Little Pieces for String Quartet (1931))
- Sonata for Flute & Piano: I. Allegro
- Sonata for Trumpet and Piano, W. 143
- Sonata for Trumpet and Piano, W. 143: I. Allegro
- Sonata for Trumpet and Piano, W. 143: III. Scherzo. Vivace
- Sonata sauvage, W. 41
- Sonata sauvage, W. 41: I. Allegro Vivo
- Sonatina
- Sonatina für Radio, W. 58
- Story for Peter: Captain Peter Shoots Down Nazi Air Ship
- Story for Peter: Mu-Uh-Uch in the Moonlight
- Story for Peter: Peter Pokes a Pig
- String Quartet no. 1
- Symphony for Five Instruments (second version) "Quintette", W. 129b
- Symphony no. 1 “Zingaresca”: I. Innocènte
- Symphony no. 1 “Zingaresca”: IV. Ragtime
- Symphony no. 3 "American"
- Symphony no. 3 "American": II. Andante
- Symphony no. 3 "American": IV. Back to Baltimore. Presto
- Symphony no. 4 "1942"
- Symphony no. 4 "1942": II. Allegro
- Symphony no. 4 "1942": IV. Allegro non troppo
- Symphony no. 5: “Joyous”, W. 186: III. Finale. Allegretto
- Symphony no. 6
- Symphony no. 6: I. Maestoso – Allegro molto; Marcato
- Symphony no. 6: III. Allegro
- Violin Sonata no. 1, W. 130: I. Allegro moderato
- Violin Sonata no. 1, W. 130: III. Funebre. Lento espressivo
- Violin Sonata no. 1, W. 130: IV. Presto
The Long Line