The Long LineThe Long Line

Carl Czerny

The Art of Finger Dexterity

Movements

  1. Book 1: Book 1: No. 1: Articulation of the fingers with quiet hand
  2. Book 1: Book 1: No. 2: The passing of the thumb
  3. Book 1: Book 1: No. 3: Clarity in velocity
  4. Book 1: Book 1: No. 4: Light articulation in half-staccato
  5. Book 1: Book 1: No. 5: Evenness in double runs
  6. Book 1: Book 1: No. 6: Clarity in broken chords
  7. Book 1: Book 1: No. 7: Changing fingers on the same key
  8. Book 1: Book 1: No. 8: Light articulation of the left hand
  9. Book 2: Book 2: No. 9: Delicacy in skips and staccatos
  10. Book 2: Book 2: No. 10: Exercise for thirds
  11. Book 2: Book 2: No. 11: Skill in alternating fingers
  12. Book 2: Book 2: No. 12: Flexibility of the left hand
  13. Book 2: Book 2: No. 13: Maximum velocity
  14. Book 2: Book 2: No. 14: Chord passages
  15. Book 2: Book 2: No. 15: Wide position in fortissimo
  16. Book 2: Book 2: No. 16: Alternating fingers at speed
  17. Book 3: Book 3: No. 17: Minor scales at high speed
  18. Book 3: Book 3: No. 18: Crossing the hands naturally and with a fine touch
  19. Book 3: Book 3: No. 19: Tense positions with a "peaceful wrist"
  20. Book 3: Book 3: No. 20: Double octaves
  21. Book 3: Book 3: No. 21: Parallel movement of the hands
  22. Book 3: Book 3: No. 22: Exercise for the trill
  23. Book 3: Book 3: No. 23: Light touch of the left hand
  24. Book 3: Book 3: No. 24: The thumb on the black keys with the hand absolutely quiet
  25. Book 4: Book 4: No. 25: Agility and clarity
  26. Book 4: Book 4: No. 26: Maximum velocity in arpeggios
  27. Book 4: Book 4: No. 27: Independence of the fingers
  28. Book 4: Book 4: No. 28: Quiet hand with fast articulation of the fingers
  29. Book 4: Book 4: No. 29: Exercise for the turn
  30. Book 4: Book 4: No. 30: In order to acquire a firm touch
  31. Book 4: Book 4: No. 31: Exercise for the passing of the thumbs
  32. Book 4: Book 4: No. 32: Uniformity in raising the fingers
  33. Book 5: Book 5: No. 33: Lightness of touch in octave skips
  34. Book 5: Book 5: No. 34: Trills of thirds
  35. Book 5: Book 5: No. 35: Changing fingers on the same key
  36. Book 5: Book 5: No. 36: Lightness of the arm and agility of the fingers
  37. Book 5: Book 5: No. 37: Strength and clarity
  38. Book 5: Book 5: No. 38: Uniform movement in raising the hands
  39. Book 5: Book 5: No. 39: Exercise for thirds
  40. Book 5: Book 5: No. 40: Light or half-staccato in chords
  41. Book 5: Book 5: No. 41: Fluency of the fingers of the left hand
  42. Book 6: Book 6: No. 42: Exercise for double turns
  43. Book 6: Book 6: No. 43: Skill in passing of the thumbs
  44. Book 6: Book 6: No. 44: The lightest touch together with the greatest digital mobility
  45. Book 6: Book 6: No. 45: Legato melody with spread chords
  46. Book 6: Book 6: No. 46: Ease of touch and velocity
  47. Book 6: Book 6: No. 47: Clear touch in spread chords
  48. Book 6: Book 6: No. 48: Exercise for the shake
  49. Book 6: Book 6: No. 49: Octaves with bravura
  50. Book 6: Book 6: No. 50: Ease of touch and velocity

Elsewhere

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