The Long LineThe Long Line

Antonio Vivaldi

Griselda, RV.718

Opera

RV 718 Stage

Griselda is a dramma per musica in three acts that was composed by Antonio Vivaldi. The opera uses a revised version of the 1701 Italian libretto by Apostolo Zeno that was based on Giovanni Boccaccio's The Decameron (X, 10, "The Patient Griselda"). The celebrated Venetian playwright Carlo Goldoni was hired to adapt the libretto for Vivaldi. The opera was first performed in Venice at the Teatro San Samuele on 18 May 1735.

From Wikipedia, CC BY-SA 4.0.

Synopsis

  1. Sinfonia: Sinfonia: I. Allegro
  2. Sinfonia: Sinfonia: II. Andante
  3. Sinfonia: Sinfonia: III. Minuet. Allegro

Atto I

Years before the action begins, Gualtiero, King of Thessaly, had married a poor shepherdess, Griselda. The marriage was deeply unpopular with the king's subjects and when a daughter, Costanza, was born, the king had to pretend to have her killed while secretly sending her to be brought up by Prince Corrado of Athens. Now, after the recent birth of a son has led to another rebellion from the Thessalians against Griselda as a queen, Gualtiero is forced to dismiss her and promises to take a new wife. The proposed bride is in fact Costanza, who is unaware of her true parentage and unknown to Griselda. She is in love with Corrado's younger brother, Roberto, and the thought of being forced to marry Gualtiero drives her to despair.

  1. "Ho il cor già lacero" (Griselda)

Atto II

Costanza sings of her torn affections (betrothed to Gualtiero but in love with Roberto) in the coloratura aria Agitata da due venti. Griselda returns to her home in the countryside where she is pursued by the villainous courtier Ottone, who is completely besotted with her and has surreptitiously fomented the popular uprisings in order to derail her marriage. She angrily rejects his advances. Gualtiero and his followers go out hunting and come across Griselda's cottage. Gualtiero foils an attempt by Ottone to kidnap Griselda and allows her back to the court, but only as Costanza's slave.

  1. “Agitata da due venti” (Costanza)

Atto III

Ottone still resolutely pursues Griselda and Gualtiero promises him her hand as soon as he himself has married Costanza. Griselda absolutely refuses and declares she would rather die. At this point, Gualtiero embraces her, having demonstrated her virtue to the rebellious people, and takes her back as his wife. Gualtiero and Corrado reveal the true identity of Costanza, Ottone is pardoned and the girl is allowed to marry Roberto.

  1. Scena V: Aria “Ombre vane, ingiusti orrori” (Costanza)
  2. Scena VI: Aria “Dopo un’orrida procella” (Griselda)

Synopsis from Wikipedia, CC BY-SA 4.0.

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