Rusalka
Rusalka, Op. 114, is an opera ('lyric fairy tale') by Antonín Dvořák. His ninth opera (1900–1901), it became his most successful, frequenting the standard repertoire worldwide. Jaroslav Kvapil wrote the libretto on Karel Jaromír Erben's and Božena Němcová's fairy tales. The rusalka is a water sprite from Slavic mythology; it usually inhabits a lake or river.
For many years unfamiliarity with Dvořák's operas outside the Czech lands helped reinforce a perception that composition of operas was a marginal activity, and that despite the beauty of its melodies and orchestral timbres Rusalka was not a central part of his output or of international lyric theatre. In recent years it has been performed more regularly by major opera companies. It is performed by opera companies worldwide far more than all of Dvořák's other operas combined.
The most popular excerpt from Rusalka is the soprano aria, the "Song to the Moon" ("Měsíčku na nebi hlubokém") for the title character in act 1, which is often performed in concert and recorded separately. It has also been arranged for violin and used on film soundtracks.
Movements
- Hou, hou, hou
- Měsíčku na nebi hlubokém
- Čury mury fuk
- Vidino sladká, přesladká
- Co se děje na zámku?
- Už týden dlíš mi po boku
- Byť měl tě člověk stokrát rád...
- Květiny bílé po cestě
- Marno to je
- Necitelná vodní moci
- Miláček tě zavrh'
- Vyrvána životu
- Mám, zlaté vlásky mám
- Bílá moje lani!
- Líbej mě, líbej...
Recommended recordings
- Czech Philharmonic · Václav Neumann YouTubeSpotify (subscription)
- Czech Philharmonic · Charles Mackerras YouTubeSpotify (subscription)
Most recent recordings
- Dvořák: Rusalka. Opera in 3 Acts — Antonín Dvořák, Ludmila Červinková, Jaroslav Krombholc, Prague National Theatre Orchestra (2026) Spotify
- Dvořák: Rusalka, Op. 114, B. 203, Act I: Song to the Moon — Antonín Dvořák, Samuel Mariño, Covent Garden Sinfonia, Ben Palmer (2025) Spotify
- Song to the Moon (from Rusalka) — Antonín Dvořák, HAUSER (2024) Spotify
New releases via Spotify — surfaced automatically, not editorial picks.