Alessandro Scarlatti
Italian composer
Pietro Alessandro Gaspare Scarlatti (2 May 1660 – 22 October 1725) was an Italian Baroque composer, known especially for his operas and chamber cantatas. He is considered the most important representative of the Neapolitan School of opera.
Particularly known for his operas, he brought the Italian dramatic tradition to its maximum development, begun by Monteverdi at the beginning of 17th century and continued by Cesti, Cavalli, Carissimi, Legrenzi and Stradella, designing the final form of the da capo aria, imitated throughout Europe. He was also the inventor of the Italian overture in three movements (which was of the highest importance in the development of the symphony), of the four-part sonata (progenitor of the modern string quartet), and of the technique of motivic development. He was a model for the musical theatre of his time, as evoked by Handel's Italian works, who was deeply influenced by his theatrical music. Eclectic, Scarlatti also worked on all the other common genres of his time, from the sonata to the concerto grosso, from the motet to the mass, from the oratorio to the cantata, the latter being a genre in which he was an undisputed master.
He was the father of two other composers, Giuseppe Domenico Scarlatti and Pietro Filippo Scarlatti.
Read more about this composer on Wikipedia.
- La Giuditta 1693
- Tu es Petrus 1707
- Dixit Dominus I 1720
- Abramo, il tuo sembiante
- Ad Dominum dum tribularer
- Agar et Ismaele esiliati
- Alessandro Scarlatti
- Arminio
- Cambise
- Carlo re d'Allemagna
- Clori e Mirtillo
- Comodo Antonino
- Concerti grossi, string orchestra
- Cor mio deh non languire
- Davidis pugna et victoria
- Dixit Dominus
- Dixit Dominus II
- Dixit Dominus IV
- Dixit Dominus, III
- Erminia
- Exultate Deo
- Gli equivoci in amore
- Gli equivoci nel sembiante
- Griselda
- Humanità e Lucifero
- Il Dolore di Maria Vergine
- Il Pompeo
- Il Sedecia
- Il martirio di Santa Cecilia
- Il prigioniero fortunato
- Il primo omicidio
- Il trionfo dell'onore
- L'Arianna
- L'Assunzione della Beata Vergine
- L'Eraclea
- L'Orfeo – Dall'oscura magion dell'arsa Dite
- L'honestà negli amori
- La Colpa, Il Pentimento, la Grazia
- La Giuditta
- La Maddalena penitente
- La Rosmene, o vero L'infedeltà fedele
- La Santissima Annunziata
- La Santissima Trinità
- La caduta de' decemviri
- La concettione della Beata Vergine
- Laodicea e Berenice
- Marco Attilio Regolo
- Messa di Santa Cecilia
- Mitridate Eupatore
- Notte ch'in carro d'ombre
- O morte
- Passio Domino Nostri Jesu Christi Secundum Johannes
- Quella pace gradita
- S. Francesco di Paola oratorio for music performed by the devotees of this Saint in the Church of the Illustrious Community of Urbino, consecrated to him; Dedicated to the Illustrious Signor Gio: Bernardino Peroli most worthy confaloniere
- Salve Regina
- Salve Regina
- Salve Regina
- Salve Regina
- Salve Regina
- San Casimiro, Rè di Polonia
- San Filippo Neri
- Sedecia re' di Gerusalemme: Alindo Scirtoniano oratorio set to music by Signor Alessandro Scarlatti. Dedicated to the eminent and most reverend lord Signor Cardinal Sebastiano Antonio Tanari legate of Urbino
- Sinfonie di concerto grosso
- Stabat Mater
- Telemaco
- Tiberio imperatore d'Oriente
- Tigrane
- Tito Sempronio Gracco
- Turno Aricino
The Long Line